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NIGERIA, OUR NIGERIA: Presidential Inauguration Exhibition PDF Print E-mail
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INTRODUCTION: Blessing the Nation with Smiles and Hopes

“There is a lot the sector can give if government can support it to earn foreign exchange. However, we don’t tend to take it very seriously; but every president should take the sector seriously” – Goodluck Jonathan (March 20, 2011)

Incubating hope

Dateline: March 20, 2011: Standing before a gathering of about 500 artists and culture workers, President Goodluck Jonathan gave hope that his administration would deviate from the established bad attitude of successive governments at the centre towards the creative industry sector.

It was in the heat of electioneering campaign, and a few days to the beginning of national elections in which the President was seeking a fresh term of his own, but he insisted that his statement was not intended to score political points, and thus should not be perceived as campaign rhetoric, designed to win sympathy for his candidacy. He also stressed that the ‘Dinner with the President’ gathering of artists, which had been initiated by his advisers, was not intended to be political, saying:

“These are not issues of campaign; I should have spoken to you earlier. I’m not listening to you because I’m standing for elections. After April, we’ll hit the ground running. In the next four years, I want to move the country forward to where it should be. As a nation, we want to look at all sectors of the economy, especially those sectors where jobs can be created within the private sector’’.

Even if, expectedly, a section of the gathering and as well the larger public, millions of whom must have followed the proceedings via live television broadcast, would still be skeptical about the motive of the event, President Jonathan demonstrated that there is much to be taken to heart in the brief statement he made that night.

First, after listening to as many as 12 presentations by various sectors of the Culture Sector, including from writers, musicians, movie makers, theatre artists, visual artists, fashion designers and culture activists, the President said he had been moved to match the artists word for word in their passionate remarks. He abandoned the formal response that his team had prepared for him, and decided to speak extempore. He said;

“Government is probably too far from the creative industry. Government needs to be closer to the creative industry… There is a lot the sector can give if government can support it; every president should take the sector seriously.”

 
Fine Arts at the LABAF PDF Print E-mail
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Do Not Resuscitate… A Harvest of Shared Dreams and Journeys

(culled from the Brochure of the 13th Lagos Book and Art Festival, LABAF 2011)

Yes, as Programme Chairman for the Committee for Relevant Art, CORA, and ostensibly the accounting officer for the programming content of the Lagos Book and Arts Festival, LABAF, I, on behalf of the festival’s working committee, plead guilty to the oft-repeated accusation that the Visual Arts had often appeared shortchanged in the Festival’s overall scheme.We have been here 13 times, and we have garnered almost as many knocks for always subjugating the Fine Arts; sometimes making this critical segment of the festival appear like an afterthought in the festival’s programming vision. Of course, the Festival itself -- by the design of its birth -- is biased to Literature and Book-related events.

True Confession: At conception in 1999, LABAF started in our minds as a Book Fair, at most a celebration of the Written Word as an essential of the core objective of “facilitating the growth of the human capital resources of the nation”. Perhaps this was because the festival itself -- though a response to the national call for celebration of Creativity as expressed in the Federal Government declaration (now regrettably abandoned) of every September 14 as National Creativity Day -- was largely inspired by the legendary personage of the father of contemporary African novel, Prof Chinua Achebe, in whose honour the declaration was made that year, 1999.

But hold it there!!! And this is a digression….

 
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